WEEK 5 - Fall 2010

Workshop & Presentation : Gocco & Strathmore Paper Co
We started the day by exposing Gocco screens, building chipboard frames [see last weeks pix], then printing. Students were asked to consider the branding, identity and packaging of their project. The demo was also to expose them to alternative methods of reproduction. Anyone interested in doing additional Gocco printing can get supplies from Welsh Products, Inc. Box 6120 - 1316 Oak Circle, Arnold, CA 95223, 209.795.3285 or email at info[at]welshproducts[dot]com. Their website is www.welshproducts.com.


Here are some examples of their Gocco prints:

At 11am, Anna Fox Ryan from Strathmore Paper Co gave a presentation on paper history and papermaking. Students demoed with the paper samples. Lots of giveaways!

HOMEWORK : 


[1] Using your Gocco art or a refinement of the idea, create a digital file no larger than 2.5"x3.5" saved as a PDF or Illustrator file. We will use this for a letterpress demo in 2 weeks. Line art images are the best. Make sure all line art is 100% black. Send file to ws[at]whitneysherman[dot]com by this Friday Sept 24th.


[2] Research our next week guest, Jaime Zollars, to prepare for her visit.


[3] Bring in your work to date with changes based on the afternoon critique.


[4] As always, bring in your project journal.

HOMEWORK :

HOMEWORK : 

[1] 

WEEK 4 - Fall 2010

Workshop : Gocco
The analysis of the selected entrepreneur was turned in. I asked everyone to lay their preliminary image ideas out for student and  faculty feedback. Everyone had to describe their project succinctly [and were reminded this practice will help everyone craft their verbal presentation as time goes on].

Feedback was really great from everyone, lots of perceptive suggestions and thoughtful criticism. 

I talked about Gocco [the Japanese craft print system verging on distinction] and how I adapt the printing aspect of it to get better results. Here are samples of Gocco printing on several blank journals and a onesy.

This is the B&W drawing I started with. Per instructions, it needs to be done with a carbon based ink or a toner based copy [which has adequate carbon in it]. Note the detail in linework and compare it to the samples. Fine line doesn't render well [tends to fill in] but the result on the samples is nonetheless pleasing. Smooth surfaces give the best detail, printing on knits will show the texture of the cloth. Consider this when creating your drawing.

This is a screenprint frame made of chipboard and tape. This one is set up for printing on a small Muji blank journal [see the middle journal in the sample pic above]. I've removed the acetate cover normally on the screen and have taped the screen in a position that situates the image where I want it on the journal cover. I will use a piece of chip board cut to the width of the screen. Ink is put on the top of the screen and each print is pulled until the coverage is good. 

Students were asked to bring in surfaces to print on including paper and fabric.

NOTE: The ink dries fast so you have to work fast to keep the image clean. Have a clean space nearby to place your multiples. Working with a partner can speed up the process. Standard Gocco inks can be blended to make new colors. Mix enough for your project and save it in a small Tupperware-type container.

HOMEWORK : 

1] Bring in a Black and White LINE ART PRINT-OUT ON A 4x5” SHEET OF PAPER of an image that relates to your 

project [think logo, promo image, tag or label]. This can be sketchy but well thought out. 

2] Bring in paper, other flat surfaces, cloth/clothing] to print on for GOCCO demo. 

3] Bring $7.50 to cover costs of the Gocco screen and bulbs. Inks will be provided. 

WEEK 3

Assessment of the student's digital skills revealed some students needed an InDesign workshop. Students had alot of really great questions during the workshop and all were encouraged to ask questions in the future. 

The analysis of the selected entrepreneur was turned in. After the workshop, I asked everyone to lay their preliminary image ideas out for student and  faculty feedback. Everyone had to describe their project succinctly [and were reminded this practice will help everyone craft their verbal presentation as time goes on].

Feedback was really great from everyone, lots of perceptive suggestions and thoughtful criticism. We were engaged in the discussion enough to miss going to xpedx paper company to get paper samples. All students are urged to visit their showroom to get paper ideas and pick up samples. Check out xpedx.com for their location and hours.

I talked about Gocco [the Japanese craft print system verging on distinction] and how I adapt the printing aspect of it to get better results. Here are samples of Gocco printing on several blank journals and a onesy.

This is the B&W drawing I started with. Per instructions, it needs to be dome with a carbon based ink or a toner based copy [which has adequate carbon in it]. Note the detail in linework and compare it to the samples. Fine line doesn't render well [tends to fill in] but the result on the samples is nonetheless pleasing. Smooth surfaces give the best detail, printing on knits will show the texture of the cloth. Consider this when creating your drawing.

This is a screenprint frame made of chipboard and tape. This one is set up for printing on a small Muji blank journal [see the middle journal in the sample pic above]. I've removed the acetate cover normally on the screen and have taped the screen in a position that situates the image where I want it on the journal cover. I will use a piece of chip board cut to the width of the screen. Ink is put on the top of the screen and each print is pulled until the coverage is good. 

NOTE: The ink dries fast so you have to work fast to keep the image clean. Have a clean space nearby to place your multiples. Working with a partner can speed up the process. Standard Gocco inks can be blended to make new colors. Mix enough for your project and save it in a small Tupperware-type container.

HOMEWORK : For the in-class Gocco demo - revamp your images based on the feedback; bring in a B&W 4x5 image on paper; bring in materials to print on. Attend the Exhibiting your Work Workshop, Wednesday Sept 16th, 5-6pm in the Career Development Center, Gateway, 2nd flr. Review guest artist sites elenajohnston.com and the paperkingdom blog. Bring all work-in-progress to class. Keep working on your project.